Sunday, May 19, 2013

Life, the Universe and Everything


Hello, everybody, and welcome to the Apple Basket!
Summer has arrived: we have had two official summer days – i.e. temperatures above 25° C – filled with glorious sunshine, birdsong from early morning till late at night, and the scent of blossoms everywhere.


When I started this blog almost a year ago, one of the topics I wanted to write on was running – and then I got into one injury after another: achilles tendonitis, peroneal tendonitis, a hip bursitis, and had to lay off running for quite a while. And then I chickened out from starting up again while it was so cold in the winter and spring; even though I know full well that running in the cold is far less chilling than simply going out in the cold.
But now, I am back!
Well, back as in: I have been out today, doing Day 1 of Week 1 of the beginner program in Claire Kowalchik’s Complete Book of Running for Women. This program takes you out for 30 minutes four times a week on a run-walk schedule that gradually builds up more running time and less walking time. So, for Week 1 it is R2, W4, repeat till end of round. Week 2, as I remember it, is R3, W3, repeat.
And so on, until you get to R30 in Week 10 – provided you don’t get into to trouble along the way, of course: it may be necessary to stay in a certain week or even go back, if you miss too many runs or develop any pain. It is far better to repeat weeks in the schedule than to stick to it just for the sake of sticking to it.
The thing is, your initially laboured breathing quickly picks up, and your muscles adapt readily to the added requirements – but tendons are notoriously sloooow to build up strength, and to heal after injuries; so it is essential to not go forward too fast. It is so tempting – trust me, I know this from experience – to barrel on and build up distance and time, once you get over the huffing and puffing of the first few runs; particularly if you are encountering other runners all over the place or reading about long distance running or thinking of signing up for a 5k (ask me how I know). And then you tend to ignore a soreness, because ‘no pain, no gain’, right? Wrong. Do not ignore pain – muscles get sore, of course, when they are forced into doing more than they are used to, but that goes away again – but be wary of lingering soreness, pain that shows up during or after a run, swelling and suchlike.
And do your strength training; in fact, do that before you even start running. A strong core and strong tendons go a long way towards preventing injuries that will keep you from running for weeks.

So, how did this first run go? Well, during the first 2 minutes I looked at my watch quite a few times to see when I was allowed to slow down and catch my breath, and I felt like a complete noob. The second 2-minute run was already easier: by this time I was warmed up, and life was good. During the run/walk and immediately after it, I was happy and ready to take on the world; of course, by the time I had stretched and showered and was ready for coffee and breakfast, tiredness had set in, and a part of me doubted the whole venture. I knew, though, that this fatigue would lift: I wasn’t ready at that point to go running again, but that doesn’t mean I won’t be come Tuesday.
And on the whole, I feel more like me when I run regularly, so this is all good.


The Knitting

The ever eloquent Franklin Habit had an essay this week – discussed, of course, on Ravelry – about the perceived dichotomy between knitting and crochet; his point was, not surprisingly, that the hostility sometimes encountered is silly and futile. The title of the essay is Play Nice, which rather says it all.
It seems to me that this divide is a new phenomenon and maybe more American than European; at least in Denmark, it used to be that knitting & crocheting went together. If you did one, which most people did, you did the other as well.
Both of my grandmothers did needlework (obviously); when I was a child, though, I only ever saw my maternal grandmother knit – and my mother knits, but doesn’t crochet – while my paternal grandmother crocheted. Only years after she died, my father mentioned that she used to knit, too, but had had to give it up after breaking her wrist in a car crash. So, for me, there was a kind of divide; and I, in my youthful folly, preferred to associate myself and my crafting with the civilised, educated suburbanity presented by my maternal grandparents – and thus knitting – rather than the uneducated, chain-smoking rusticality on the paternal side. 
Besides, in the 80’s, crocheting was generally regarded as something left over from the 70’s – not least the infamous granny squares in dubious colour schemes. Knitting, for some reason, better managed to climb out of that hole and take on the bright colours and batwings that we shudder to recall. Not that I would ever knit anything like that ... hmm, moving on.

When you are young, you have eons ahead of you in which to do or not do anything you please; then you hit forty and have to seriously consider the question of what, if you are lucky enough to reach eighty, you would be sorry to have left undone or untried.
Because now is the time to start doing those things.
One thing on my vague mental list is crochet; on a day-to-day basis, I have no sense of urgency about learning crochet, but this memento mori exercise reminds me that I would consider not having given it a proper go a waste.
After all, there is nothing to lose: if I find I enjoy it – great, I will have a new skill set and enhanced opportunities. If I don’t enjoy it – no problem, yarn can be unravelled and reused, and time spent learning something new goes toward delaying decay and dementia.


But first, I need to pare down my list – and pile – of wips. I know, I have been whining for weeks about having too many ongoing projects, and it’s all my own fault; after all, it’s not like the knitting fairies cast on new things in the night and leave them for me to finish.

Wingspan in bamboo-cotton leftovers
I did finish the Comfort Of A Friend shawl last Sunday, and the Wingspan on Monday, which ought to have helped. But then I had left the bag of goodies from the Saltum wool festival within eyesight and reach, so I cast on the jumper for Victor. And while listening to the latest CraftLit episode, I caved and cast on the Jane shawl. 



Jane's Ubiquitous Shawl
Still seven wips: the three pairs of socks are still there, as well as the coffee cozies, though I have now done the first one.


During this week, I have been finishing up the Hitchhiker for my mum – remember that one? I started it back in October as a Christmas present, in my own logwood-dyed yarn; and then my mum came around and asked for a wine red Haruni (or something similar), so I tried dyeing a wine red that turned out more heathery purple, and made her a Cassandra. In the meantime, she saw my Hitchhiker and admired it; so I decided to give her the blue one for her birthday. Anyway, I got slightly bored with it: all garter, in a solid colour, with only the beads to liven it up. It still has a hugely practical shape, and my mum always likes blue, but still ... so I ended up, on Friday evening, ordering wine red yarn to make a Bitterroot as well.
Hitchhiker with beads
Did I mention her birthday party is on 1st June?
The yarn will be here in a few days’ time – tomorrow is a holiday, so they won’t be sending it until Tuesday at the earliest – and in the meantime, I will get as much finished as I can, because 8 or 9 days to do the Bitterroot is not too much.


The Books
If ever you need to read a book about gender equality, I recommend that you choose Equal Rites by Terry Pratchett, the third book in the Discworld series. This revolves around the eighth son of an eighth son, who turns out to be a daughter, but not before a dying wizard has conferred his staff and so his powers to her. The problem is that the Unseen University does not admit girls to be trained for wizards: women become witches, if they have any magic – but this girl, Esk, has a lot of wizard-style magic and it needs to be reined in. Granny Weatherwax (a witch) accompanies the girl to the capital, Ankh-Morpork, and general craziness ensues. And, as always, lots of observations about people and their quirks. And absolutely brilliant wordplay; one example: when they arrive in Ankh-Morpork, Granny finds them lodgings in the thieves’ quarter, because she has heard that good fences make good neighbours.

I finished Birdsong by Sebastian Faulks; this is called ‘a novel of love and war’, but the war story is far better than the romance. The parts of the novel set in World War I work really well, while the first part, as I have mentioned before, is too long; and the parts set in 1978, while supposedly providing a context for the war story, are rather dull.
The book thus breaks apart into a gripping tale of danger, death, and defeatism experienced by the young men sent into the horrifying madness and slaughter of the battlefields and trenches – and the pedestrian ramblings of the women on the fringes of this war story.
The protagonist of 1978, Elizabeth, is, we are not surprised to discover, the granddaughter of Stephen who went to France, had the affair in 1910 (first part of the book), and later fought in the war. I guess we are meant to follow her search for the truth and the meaning of her own life with, if not bated breath, then at least interest.
Well. Based on this book, I wouldn’t pick up another one by Faulks – except that my sister tells me that A Week in December is good. So I plan to maybe read that one in, say, seven months’ time.

I came across C.S. Lewis’ Out of the Silent Planet, a 1938 story of a journey to Mars – or Malacandra, as its real name is in variants of the Solar language; only our planet is out of the loop, so to speak, having been excluded because of the presence of an evil divine entity of some sort. Hence the ‘silent’ planet. The protagonist, Ransom, is a linguist (or philologist, as he terms himself) and apparently modelled upon Lewis himself and his friend Tolkien; he is kidnapped by an old schoolmate working with a ruthless scientist and taken aboard a space vessel to Mars.
Mars has for a very long time held a fascination of its own: Curiosity roams, looking for signs of water and life; speculations and experiments abound as to the feasibility of colonisation by humans.
In the Doctor Who storyline, hostile Martian ice warriors attempt to conquer other planets and are generally opposed to humans; in Lewis’ universe, however, the three species of Martians are friendly and civilised each in their own way, and humans tend to be in the wrong. Particularly the scientist behind the space travel – that takes about a month, by the way – behaves like the typical white European encountering ‘savages’, refusing to learn their language, and to understand that they are intelligent; he even presents one of them with a string of glass beads as a compensation for taking their ‘sun blood’, i.e. gold. Faced with Oyarsa (an angel, perhaps), he fails to understand what is said to him; much like Uncle Andrew in The Magician’s Nephew, who cannot understand the words of Aslan.

According to The Martian Chronicles by Ray Bradbury, the journey to Mars takes about six months, and the first expeditions take place in 1999 to 2003 (in a new edition of this work, originally from the 1950’s, the dates have been pushed 30 years). Mars itself is not ideal for humans, though: the atmosphere is thin, and the initial expeditions meet ignominious ends.
In this universe, Mars has an ancient civilisation that opposes colonisation but eventually dies out, anyway: the Martians are exposed to human chickenpox and are almost completely wiped out. A neat tie-in to Jared Diamond’s Guns, Germs, and Steel: an indigenous population is killed by a disease to which the invaders have long since developed resistance, like the peoples of South and Mesoamerica who fell in droves to smallpox and measles.


On an entirely different note (or maybe not: after all, the question is always about what it means to be, if not human, then a decent being), I listened to The Antidote by Oliver Burkeman, narrated by the author himself. The subtitle of this book is Happiness for People Who Can’t Stand Positive Thinking; it is a foray into the strange world of self help literature and motivational seminars, with a critical eye on the trendy methods of becoming happy, productive, social, &c. Burkeman also seeks out modern-day Stoics, Buddhists and a silent retreat in his quest for the negative path to happiness; ‘negative’ as opposed to the cult of positive psychology, and ‘negative’ as in: there is no one path, no bullet-point list of items to check, thereby ensuring everlasting bliss.

It will suffice to mention a couple of items from the popular lists and the problems they entail: visualising and goal-setting.

There is evidence that visualising achieving your goals does not, in fact, make you perform any better, despite what the life coaches tell us.
Consider the studies that ask a group of people to visualise eating Smarties and then places actual Smarties in front of them: these studies show clearly that persons having visualised eating the Smarties ate fewer real Smarties than the ones who had been asked to think about something else beforehand. The brain tricks itself into believing that the body has already done what it only visualised doing; and so, when the opportunity arises to actually do it, the body resists taking that particular action ‘again’. Effective, if you want to lose weight.
Visualising is desirable, it seems, when you want to not do something, in this case, not eat (as many) Smarties. But if your aim is positive, if you want to perform a certain task, then maybe visualisation is not a good idea. Imagining scrubbing the floors will only cause you dismay when you see that they are still dirty; basking in the virtual glory of the Booker Prize will not make that first page any less blank.
When you visualise reaching your goal, you trick your brain into believing that you are already there – and then you have to go back to square one to actually start doing all the work that will take you there. Which will make it much harder, because in a sense you have to start over.
Negative visualisation may be the key, what the Stoics called ‘premeditation of evils’, in other words, imagining everything that could possibly go wrong with your scheme. Everything that could realistically go wrong, that is: it is not helpful to imagine a meteor falling on your newly laid vegetable bed, but considering how to prevent slugs and moles from eating your produce is a lot more useful than refusing to think about such horrid things in an effort to stay positive and upbeat.
You can daydream all you like about that gorgeous knitted frock coat – but you still have to cast on and knit every single stitch of the bloody thing. And what’s more, visualising the stunning beauty of it will not make it perfect: only a highly critical eye on colour, measurements, shape, details and mistakes will ensure success. And a willingness to frog and re-knit when (not if) necessary.

Another, related exercise or requirement from the life coaches is goal setting. You will never achieve anything, they tell us, if you do not set definite, time-specific goals. Make lists, plot in dates, and Get Things Done.
But what if you sort of halfway change your mind along the way? What if you discover that what you thought you wanted isn’t right for you after all? Is it allowed to not reach your goals, or does that count as failure? Can you drop a plan halfway through and make a new one, or is that wavering?
I have found several times, when compelled to do this kind of exercise, that I can set the goals and the deadlines for myself – and then I try to shirk the duties implied. Because that is exactly what happens: things that I usually like doing and will quite happily do for hours on end, when the mood takes me, transform into chores, homework in the most soporific sense of the word, when they are plotted into a set of Goals. The whole undertaking seems artificial and contrived, and I lose the sense of what I want and where I am heading.
Not setting goals does not, of course, mean that you should necessarily amble aimlessly through life, ignoring opportunities and squandering your assets, both material and mental; but let your goals be loose and flexible, be always willing to re-evaluate and adjust to specific circumstances, whether internal or external.

Setting up clear goals for yourself and visualising achieving them thus may be not only a waste of time and effort, but can prove to be counter-productive and possibly even harmful to your productivity as well as your happiness.

Burkeman uses as an example of goal orientation that turned out to be extremely harmful the Mount Everest disaster in 1996, in which eight people died; one of several books on the subject is Jon Krakauer’s Into Thin Air (that was sitting on my shelf, so I read it). Of course, when you are on Mount Everest, everything is extreme; so insisting on reaching your goal, in this case the top of the mountain, can kill you. Some of the people who died were mountain climbers who had previously been close to the top and turned around because of bad weather or the lateness in the day, and this time refused to be denied, forgetting or ignoring that when you are on the summit, you are only halfway there: you need to get back down from what is called the Death Zone (above 25,000 feet) before nightfall, and before you run out of supplementary oxygen and get into serious trouble.
Far from all goals are that hazardous, obviously; this is an extreme example. But the point is valid: fixating on reaching a specific goal at all costs can end up costing you too much.


So, be flexible, rational, wise and caring – and don’t forget to love your nearest & dearest.

Sunday, May 12, 2013

Countrywide knitting


Hello, everybody, and welcome to the Apple Basket! This week, we have a lot of travelling to various events, and a lot of knitting related goings-on.
The book talk will be left for next week; I have quite a lot of that, too.

Let’s begin with last weekend’s outing to Copenhagen: we went along five people; Andreas had decided not to join us, but instead stay at home in peace & quiet with the cat.
So, we all piled into my dad’s car and started off late Saturday morning; in the afternoon, we spent about an hour at a Viking fortress called Trelleborg, one of the fortified towns and gathering sites built by Harold Bluetooth in the 10th century CE. There were several enactment people still there, when we arrived, around the copies of Viking houses in a sort of mini village; a couple of men practising sword & axe fighting and children gambolling under the watchful eyes of their mothers.
The reconstruction of a longhouse

View from the ramparts

Sheep now inhabit the longhouses

The fortress was built in a triangular area where two streams converge, so that it could only be attacked from one side, the one where they had dug a moat. Very helpful, right? Round in shape, with 16 longhouses inside the walls and 8 or 10 on the outside, this was a gathering place for men from around the countryside to man the fleets going to, say, England.
The lower parts of the ramparts are still there after 1,000 years; the longhouses are gone, of course, but the outlines of them are marked with stones, and a copy sits outside the area proper. We climbed the ramparts, imagining doing this fully armed while men at the top poke at you with pointy sticks. Not fun. Very well made.

Having declared proper camping to much hassle for one night – and the weather was not to be predicted, anyway – we stayed in camping cabins at a site in Rødovre; my parents in one cabin, and the boys and I grabbed cabin no. 42 – of course. And cute little cabins they are, newish and neat, with just enough room for three or even four; a bedroom literally the width of the double bed (you climb in and out at the foot of the bed), and up a ladder an open loft with another double bed.
After settling in, we drove into town to eat and watch the life, and ended up shopping and coming back to the campsite for a late dessert instead of going to a cafe: across the street from the restaurant (we sat outside) had been a street musician butchering show tunes on a clarinet accompanied by tinned rhythms from an electric piano – so our ears did not need any more background noise.

There was a festive mood in the city on Sunday: the sunshine was warm, everywhere were trees greening and blossoming, daffodils and tulips in colourful bloom, and from buses and official buildings flags were flying in celebration of the anniversary of the end of the German Occupation in 1945. Added to this were banners proclaiming the 200th birthday of the renowned thinker and theologian Søren Kierkegaard; and on all of the stages in Tivoli young musicians were playing. So, happy times all around.

After cleaning out the cabins, we drove into town and managed to find a free parking spot – brilliant. We wanted to go to Tøjhusmuseet, the Arsenal Museum (arsenal as in weapons storage, nothing to do with football), where they now have actual tableaus instead of just rows upon rows of weapons, including a partial model of Camp Bastion in Afghanistan. But they didn’t open until 12 o’clock (though the website had said 10); so we trudged on and came to Glyptoteket instead, right across the street from Tivoli. This was built by the brewer Carl Jacobsen, father of Carlsberg, to house his collections of objects stolen rescued brought home from Greece, Rome, and Egypt; a brilliant place to visit for a classicist (me) or someone who has just been to Egypt (my parents), or anyone interested in art and antiquity (there is a modern collection, as well, which I haven’t seen yet). Entrance is free on Sundays, so we just went in, spent the hour we had, and left again to go to Tivoli.
The guitar group met at 12.30 and then were free until 3.30; after lunch, my dad and Thomas decided to go to Tøjhusmuseet after all, and Victor met up with the other guitar boys, while my mum and I discussed children, family members and other people over hot chocolate. Very traditional, but everybody was happy with the arrangement. 
We met up again for the concert in Glassalen, and then headed home. Not too many people were there, sad to say: those who were happy to just catch random performances were kept outdoors by the lovely weather; so only relatives and other really interested audience were present. But they played well, as always – says the completely unbiased reviewer ... But they do, actually. Very well.

Victor in the middle (more to the right in this picture)
- and to the left in this one.

So, all in all, we got quite a lot from the weekend: Vikings and weapons, classical art and classical music, camping grounds and Tivoli gardens, road trip and city life.











Spring this year has behaved like a very strange lover, distant and reserved, almost hostile, for a long time – and then all of a sudden turning around and saying ‘Let’s get married! Right now!’ And then, when you don’t answer at once, retreating once again into brooding and sulks. Reminds me of Rochester (Jane Eyre reference: if you don’t get it, read the book. Or listen at CraftLit or JustTheBooks.).
And this Wednesday, we had our first thunderstorm of the season.
The day opened with gentle rain that drew back during the afternoon, leaving a humid and heavy sunshine; and then, in the early evening, it all came back – and more.
The cloud cover took on a greenish tinge, flashing to purple behind the white streaks across the sky. Thunder cracked and rolled overhead, making a mockery of the traditional counting to assess distance, when several lightning flashes cut over one continuous rumbling. Rain beat down, steaming off roads and roofs, spilling over gutters, and occasionally giving way to hail.
The cat was not amused.
But the air was cleansed and afterwards smelled deliciously fresh, everything being newly washed.

I was in Skive the other day and finally got a chance to check out a LYS, Duddine. That took some self-discipline: among many other lovely yarns, she has Manos del Uruguay ... luckily, I had no inkling of what to use it for, so I managed to not buy any – yet. But now I know it’s there, within reach (and I am quietly contemplating what could be done with this yarn, particularly the purple-blue-green-white colourway ...).
I did get me some tools, though, as this LYS does not reject on principle the things that the owner doesn’t want to use, like 2 mm dpns (not mentioning any names here, again; but the lady working at Duddine knew who I was talking about, and had quite a story of her own to tell).
When she saw the wooden KnitPros I had found, she showed me the KnitPro Karbonz – another thing I have seen on Ravelry but not in person till now. So, now I have me a set of 2 mm carbon fibre dpns; they are light and stronger than wood, so this is quite exciting. I am trying them out on the striped socks; there is a slight – not catch, exactly, but feel of where the metal tips join the carbon stick, which takes a little getting used to in a straight needle. In circulars, of course, there are joins, and that is how it is; this is just slightly different. But they are very comfortable in my hands, and the tips are nice and pointy. And I feel that I can trust them not to snap – this may be in part a placebo effect from knowing that they come in 1.5 mm, as well, which cannot be done in wood: if carbon needles that thin can survive, then mine can, too.

And more yarn shopping: yesterday, my sister and I went to the Wool Festival in Saltum, a small town in Northern Jutland. I drove up the motorway, left my car at a parking lot for car poolers near where my sister lives, and we went on together (there is a point to this, so bear with me).

The festival in Saltum sits in the town centre, quite differently from the Craft Fair in Viborg in September, which is placed in two big stadium buildings outside the main streets. Here were two large party tents with stalls for yarn, wool, finished products, ceramics (bowls and buttons, mostly), beads, more yarn, spindles – did I mention yarn? And the LYS in the middle of the high street was open, of course.
How to catch a sheep by the leg

One of the tents; my sister in her blue cape 

Bindestuen across the street
So, we watched a sheepdog at work, browsed, fondled, admired, shoved through crowds, picnicked outdoors with latte and a packed lunch, browsed some more, and shopped.
I found the buttons for my Comfort Of A Friend shawl, new yarn for the upcoming jumper for Victor (I had found some in my stash, but didn’t really love the colour, a slightly dull blue), yarn for Jane’sUbiquitous Shawl (so I can actually start it while the book is still running on CraftLit), and some sock yarn – and I managed not to buy more than I could afford.
The yarn for Victor is a heavy fingering weight sock yarn from Bindestuen, the LYS in Saltum. Bindestue is an old Danish word for a room to sit and knit (or crochet) and so a rather appropriate name for a LYS, I think. The yarn is lovely, soft and surprisingly inexpensive; I added it to the Ravelry database as Bindestuen Strømpegarn, so now it’s there, too.
For the Jane shawl, both my sister and I chose Samarkand from Garn Garagen, in lamb’s wool and silk – so soft. And again, surprisingly inexpensive. This is a very light fingering weight, 575 metres per 100 grams; I got the colourway 42 (!), a nearly black charcoal that Jane herself would endorse (read the book).

The weather held up nicely, and all was fine.
On the drive back towards the motorway, the car (that had just got a new engine) suddenly decided that its battery needed charging. That was a bit odd, and then it began asking for checks of the brake systems, the ABS, the 4WD, &c. When the steering wheel started to become unresponsive in the middle of the motorway, my sister quickly pulled in towards a rest stop; we made it onto the drive leading in to the parking area, before the car gave up and simply stopped.
That gave us nearly an hour of uninterrupted knitting (Wingspan for me, Georgia for my sister) and talking time, before we were picked up and taken to the place where my car was waiting; I drove my sister home, said hello to the kids, and drove home to my own. So, getting home took me 3½ hours instead of 1½, but no harm done. We had our festival experience, we got off the motorway without crashing or stopping in the middle of everything, and we had our knitting for the wait.
And I suppose the car will be fixed – again.


The Knitting
Since my dad was driving to Copenhagen and back (he prefers it that way, and it was his car), I for once got some knitting done on the road: I had brought my bamboo Wingspan to get a good start on it, and I did. This is great travel knitting, nearly mindless, being garter and all, but not so boring that you fall asleep. And it isn’t that big – or mine isn’t, anyway, so I could stuff it in my bag and drag it out whenever.

My hubristic ‘I have to stretch the Comfort Shawl project to match the KAL timeline’ statement a few weeks ago has been put to shame, obviously, by the amount of socks I have been starting – and finishing, in the case of Fosco – and the Wingspan and ... But I will make it. Week 5 will end on Monday (tomorrow!), and I have been working on the straps this week, so now I just need to weave in the last ends and sew in the buttons. I can finish the whole thing within the limit. Not that it would matter if I didn’t: the Knitting Police tend to overlook transgressions of KAL deadlines.

But I need to finish something: the problem with casting on lots of shiny new things is the lack of that sense of satisfaction with finishing a project. Besides, I have been doing quite a bit of frogging and starting over lately. So, finishing it is. Before I cast on more shiny new projects with my lovely new yarns, tempting though that may be.

Bulging heel - ugh!

Shaped sole - fun!
My Simple Striped Stocking Stitch Socks are turning out to be quite a fun project; the stripes are determined by stash availability, but that is working out fine. The arch shaping is great and led me onto serious three-dimensional geometric considerations, when I got to the heel: on the sole, the centre stitch between the increases is lifted into a reverse V pointing towards the heel – so how to shape the heel? I figured it out, finally, feeling quite proud of myself; and then, after 3 or 4 stripes up the leg, the heel made a weird bulge when I put it on. Hmm. And I wasn’t too happy with the toe, either, so I frogged the whole thing and started over, having, of course, made copious notes and taken pics of the offending heel bulge. I think I know how to fix it. More on this later.

As for the other two ongoing sock projects, I haven’t any news, as the stripey ones have been claiming my attention this week.

In Tivoli, they have several shops with mostly hugely expensive Danish Design stuff, including a Bodum shop; the large model of the famous French Press® is getting a new colour lid, so the old ones were obviously on sale. I mean, who would ever want to buy a coffee maker with an old style lid at full price? So, we bought one each, my mum and I, and now I am knitting cafetière cozies in two sizes, in bulky wool from my stash. More garter stitch, for a stable shape and added thickness, and stripes for a bit of interest.
A warm coat for the coffee pot

As I mentioned last Friday, I released the pattern for the Samwise cabled hoodie that I had made for Emil’s second birthday. And lo and behold, within a couple of hours there were very nice comments and wishes for adult sizes. My thoughts ran along the lines of ‘Wow – they like it! Adult sizes? All those calculations? No way.’
And then I went off to make dinner. During which, part of my mind snuck off to run a little discussion: ‘Adult sizes would have to be done in another, heavier yarn, otherwise there would be a gazillion stitches and the cables would be too small for the whole garment, something crisp with a good stitch definition, maybe the Peruvian Highland Wool, I’ll have to check which colours that comes in, maybe a muted purple, or should I go with blue this time, or green, for of course I would make one for me, it’s not as if I would mind a hoodie and it would be most appropriate in women’s sizes anyway, I could do some waist shaping along the side panels, and the name for it would have something to do with Sam’s parents, I wonder what his mother’s name is ...’
So it goes; at some point this year, it seems there will be a cabled hoodie for women coming out. Named after Sam Gamgee’s mother, Bell.


And that’s about it for this week; this afternoon, my mum and Victor and I are going to a guitar concert at Ulstrup Castle. Some of the Academy students that Victor met back in February for Wayne Siegel’s birthday concert will be playing, so that should be good. And I can bring the Wingspan and get another triangle or two done.

So, have a wonderful week, and I will get back to you with more knitting and a bunch of books!

Friday, May 3, 2013

A Cautionary Tale


Hello, everybody, and welcome back to the Apple Basket! I do hope you have had a good week and that you have lovely spring weather to enjoy. We are having glorious sunshine, greening of trees and bushes, and colourful bursts of flowers here and there. It is all quite fantastic.
As I mentioned last week, I am going to Copenhagen for the weekend, so I am posting a bit earlier than usual. Victor and his guitar group are playing in Tivoli on Sunday; we are going over tomorrow to stay the night and see a few other things, while we are at it.


I feel like we haven’t had a proper Apple of the Week for a while: I have been going on about schools and politics and whatnot, which is all well and good and quite relevant; but we need a story, don’t we? Something to take us out of the everyday world and into the realm of imagination.
So, without further ado, I present to you A Cautionary Tale:

Our tale begins in the forest, on a warm summer’s eve, with the elves of the forest seated around their campfire in the middle of a huge debate. The matter they are debating they have debated many times before, and they can never reach an agreement: for it concerns the humans and whether or not the elves should have anything to do with them. Most of the elves want to mind their own business and not meddle with human affairs; nothing good can come of that, they say, for humans cannot be trusted. Better to stay in the forest and lead an honest elf life, only visiting the humans’ houses once in a while in the dark of night to fetch a bit of fresh milk from a cow or a jug of ale from the barrel.
But there is one young elf who is curious and who wants to talk with the humans, to find out about their lives and their habits – and yes, to help them, as there are so many things that humans cannot do for themselves. The elves sometimes wonder how humans manage so well with their limited skills; but most of them are happy to know that they are better and have no wish to study these bizarre creatures.

But our young elf is still curious, and one night he once again goes to the houses of the humans and sneaks into the biggest of them all to look at the strange and varied things they keep in that house. Much to his surprise, he hears weeping coming from somewhere; and he is even more surprised when he finds, in a large room, a girl sitting by a spinning wheel and crying her eyes out. This is not the most surprising thing, for the whole room is full of great stacks of hay. The elf feels sorry for the girl and walks up to her, cautiously, so as not to frighten her, and asks her if she needs anything.
‘Oh,’ sobs the girl, ‘the King has locked me in here and demands that I spin all this hay into gold before morning! How am I supposed to do that? And if I don’t, he will have me killed!’
This makes the whole thing a bit less odd, for the young elf knows well how much humans like gold, and he has seen a lot of it in the big house. As he feels sorry for the girl, he wants to help her to get away from the greedy King; but he knows from his studies of humans that he cannot just offer to help. Humans prefer to make bargains over everything, so he thinks for a bit and then carefully says the sentence he has learned from his observations: ‘What will you give me if I help you?’
The girl seems not at all surprised at the question – or, for that matter, that an elf from the forest is standing before her – and immediately says: ‘My necklace.’
Well, then; the elf slips the necklace into his pocket and sits down at the wheel – and before dawn, all of the hay is turned into shining gold thread.
The girl is so happy, she weeps again, but now from joy, and even places a kiss on the forehead of our young elf.

The elf then hurries back to his home in the forest to proudly tell the others of his deed. Some of the other younger elves gather around him to see this strange object that the human girl was wearing around her neck; but the older elves are less impressed. ‘Be careful,’ they mutter, ‘nothing good can come of meddling in human affairs.’

The next night, our young elf again leaves the forest and runs down to the big human house to see what lies in store for him this time. He wanders through the halls and galleries – and again, he hears weeping. Once again, he finds the girl sitting dejectedly by a spinning wheel in a room, twice the size of the first one, filled with great stacks of hay.
Again he walks up to girl and asks her what the matter is.
‘Oh, little elf,’ the girl wails, ‘the King has locked me in here again, for wants more gold! I am to spin all of this hay into gold before morning, or he will have me killed!’
The forest elf thinks of the boundless greed of humans and most of all wants to go away, for the King does not deserve all that gold, he feels. But then he looks at the girl who is there through no fault of her own and risks being put to death; and once again he poses the question he has learned: ‘What will you give me if I help you?’
‘My bracelet,’ says the girl, relieved, and the elf slips the bracelet into his pocket and sits down at the spinning wheel.
By dawn, the floor of the big room is covered in fat bobbins full of shiny gold thread, and the girl is overjoyed.
The elf walks away, thinking to himself, ‘This must be enough. I helped once, and then twice, but the King must have enough gold by now. I am going home to the forest and staying there.’

Back home, he again tells the other elves of his adventure. ‘The King forced her to do it, at I felt sorry for her, so I helped again.’
‘Hmrf,’ grumbles the oldest of the elves, ‘this is what I have said for eight hundred years: humans are not to be trusted. If you had minded your own business the first time around, the matter would be closed. Who knows when that greedy King will be satisfied? You can’t go spinning there every night, you know.’
‘I won’t go back there anymore,’ the young elf promises. ‘And besides, two great big piles of gold thread must be enough. What do they want with all that gold, anyway?’
But nobody can answer him that.

For the third night in a row, the young forest elf runs down to the humans’ houses to have a look around – he still hasn’t seen enough, having spent the first two nights spinning – and believes that now he has the hay out of the way, he can wander through the big house gazing at the wondrous sights in it. But for the third time, he hears the girl weeping and this time finds her in a room as big as the other two put together and filled to the ceiling with hay. And there, at the spinning wheel, sits the girl, crying as if her heart were breaking.
The elf can’t help it: he walks up to her, and the girl brightens when she sees him.
‘Little elf,’ she smiles through her tears, ‘I am so happy to see you! The King demands that I spin all this hay into gold before morning, or he will have me killed.’
The elf is dismayed. Then the grumpy old elf was right, after all: humans are not to be trusted. But he cannot bring himself to abandon the weeping girl to the mercy of the greedy and brutal King. So he takes a deep breath and once again, he poses his question: ‘What will you give me if I help you?’
This, however, only makes the girl weep even harder. ‘I have nothing left to give you,’ she sobs.
The elf thinks on this and an idea comes to him: of he asks the girl for something impossible, she will reject his offer and he can go on his way. And then she will have to explain to the King that she had had help spinning the hay on the two previous nights – he ought to know, anyway, that humans can’t do that sort of thing.
The elf is quite pleased with his plan and says the most silly and ludicrous thing he can think of: ‘Give me the first child you have when you are queen.’
But the girl lights up and promises to give him the child, anything, as long as he helps her out now.
The elf is somewhat startled at this, but a deal is a deal, and he can do nothing but sit at the wheel once again. And by morning, the floor of the huge room is covered with bobbins full of the loveliest gold thread.

The elf trudges back home to his forest with a heavy heart. Humans are, then, as greedy and mean and brutal as he was always taught. The king demanding more and more gold makes him sad, but does not surprise him – but a mother willingly giving away her child? That he had never foreseen.
‘That’s what I said,’ snaps the old elf. ‘Have you learnt your lesson now, young elf? Better keep far away from those humans from now on.’
‘I will never go near them again,’ the young elf promises miserably.


But when a year or so has gone by, and summer has come around again, his heart has grown light and he has forgotten his disappointment in the doings of humans. The young elf takes a walk one night to the houses of the humans and finds himself close by the largest one. He decides to go inside and take a look around, for there are many things he has not yet seen. His heart stops when he hears weeping, and for a brief moment he thinks that it is the same girl, sitting by her spinning wheel; but then he realises that it is a baby crying and being picked up by his mother, who coos and sings to him. The elf is curious and sneaks into the room where he sees a young woman with a baby in her arms; the baby is nearly as pretty as an elf baby, he thinks, and quite forgets to stay in the shadows.
The young woman sees him and utters a startled gasp; and the elf recognises her, too: it is the girl at the spinning wheel. She has become queen and has a child.
‘Have you come to take my child?’ she asks and clutches the baby so hard that he whimpers. The elf doesn’t really know how to respond: he does not want a human child – what on earth would he do with it? – but a deal is a deal.
While he ponders this, the Queen starts to weep: ‘I will give you anything, my jewellery, say whatever it is you want, only let me keep my child!’
Aha, thinks the elf, a new deal. He does not want her jewellery, but what if he asks her a riddle that is so easy she cannot help guessing it, as a condition for letting her keep the child? The elf is quite pleased with his plan and says the most simple and obvious thing he can think of: ‘If you can guess my name, I will let you keep your child.’

The Queen immediately starts babbling all sorts of human names – as if he would walk around with a silly name like that. William: seriously? Or Jonathan; have you ever heard anything so strange?
So when she is tired and can’t think of any more names, he says: ‘I will come back tomorrow night and give you another chance of guessing my name.’
The next night, the Queen has a long list with a whole lot of names that she has found in old books, and that are a bit less silly than the first ones, but still far too human: Ichabod, Percival, Augustus and the sort. The elf listens to all of them, shaking his head. Finally, the list runs out, and the elf is again obliged to give the Queen another chance of guessing his name.

All the way back home to the forest, he ponders the question how he can get her to guess his name. It isn’t even a strange or unusual name: he is named after an uncle who had the same name as his grandfather – in other words, he carries a good old family name. ‘How can it be so difficult to guess?’ he exclaims out loud. It’s not as if he was called Grumpy or Bootstrap or anything like that. ‘Tomorrow I will have to take the Queen’s child,’ he says to himself, ‘I wish she could guess that my name is Rumpelstiltskin!’
Right then, he hears a noise like a large animal rummaging on the forest floor: he has passed close beside a human hiding behind a bush! The elf is shocked: it is not at all like him to be so inattentive. He has been completely engulfed in his thoughts and not seen or heard anything happening around him. He hurries home to the other elves.
‘Hmrf,’ the oldest elf grumbles, as he is wont, ‘you have gotten yourself into a right mess. Didn’t I tell you to stay away from the humans? Not to be trusted, they aren’t.’

With a heavy heart and sinister forebodings the elf walks through the forest to the big house where the Queen lives, to fulfil his deal with her. Much to his surprise, the Queen seems not the least frightened to see him, rather cheery, and she says in a teasing tone: ‘Let me guess: is your name Peter?’
‘No,’ the elf says, somewhat bemused.
‘Is your name Paul?’
‘No,’ says the elf again.
‘Then it must be Rumpelstiltskin!’ the Queen exclaims, laughing.
Rumpelstiltskin the elf breathes a sigh of relief and is about to declare that the Queen has won and she can keep her child – but right then, four soldiers burst from the doorway and the balcony and jump on him, brandishing a document bearing the King’s seal.
‘In the name of the King’ one of them shouts, ‘Rumpelstiltskin is under arrest for high treason and threats to the life and limbs of the Queen and also the little Prince!’ They grab Rumpelstiltskin and throw him into the dungeons, and there he remains to this day.

A note: should you wish to refer to this story in another context, by all means do so, and please link back to here.


The Knitting
Shamelessly tooting my own horn here - though, if I shouldn't do it on my own blog, then where? I have released a new pattern, the Samwise jumper that I made for my nephew Emil for his 2nd birthday in March:


So, the Wingspan got frogged and re-started; I did put a pink triangle in there after all, and a couple of triangles later I got annoyed with the colour scheme, wasn’t really thrilled with the proportions – and decided to start over. I cast on 54 stitches as before, but this time I am staggering by only 6 stitches instead of 12, making a slightly deeper scarf. And I’m definitely leaving out the pink.
This is how far it got the first time round ...


The Fosco socks are finished; the pattern has a few peculiarities, some of which may be typos, others just me being confused. But anyway, a pair of quite interesting socks came out of it, and the arch shaping is lovely, for one thing.
The socks are inspired by the villainous Italian count Fosco in Wilkie Collins’ The Woman in White; and completely in keeping with the nature of the Count, the socks made me both think and work to puzzle them out – and killed off another of my KnitPro cubic 2 mm dpns. Now I only have 4 left of the set, so I’ll have to get one more (a set, that is, not a single dpn).

The Comfort of a Friend shawl is coming along, aided by some watching of films; I am on the left strap now.


Apart from all that, I am having a ‘hey, look, a squirrel!’ week, knitting-wise.
I am still working on the secret socks that I want to submit for Defarge 3 ...
And the lovely arch-hugging construction on the Fosco socks had me thinking that this should be possible on toe-up socks, as well; I searched on Ravelry, found nothing, and dove into trying it out on what will be a pair of striped socks. The stripes are due to the contents of my stash: several nearly whole balls of the lovely Arwetta Classic that would give me one whole sock each. I did consider going Dobby-style with two socks in wildly different colours, but I chickened out. So, stripes it is.

And then I got to thinking more on the whole arch shape deal and decided to try to figure out an alternative toe construction to go with it – all the while considering how to do a sock heel that isn’t too wide: I’m having issues with that at the moment.


So now, I have three separate sock toes sitting around clamouring for attention; and not enough dpns. I guess there are worse things I could do ...
(As an aside to the lack of dpns: I went into a LYS today to get yarn for the secret socks and asked about 2 mm dpns, as she does carry KnitPro needles – and I was promptly told, in no uncertain terms, that nobody uses 2 mm. Oh, right, my mistake, then.
I won’t mention any names here; if you are a knitter from or around Viborg, you’ll know who this was; if you’re not, it doesn’t matter.)


The Books
I wanted to say a bit more about Be a Free Range Human by Marianne Cantwell, now that I have had time to digest it, as it were.
Ms Cantwell does live up to her own dictum that ‘you don’t have to have a completely original idea that no-one else has ever thought of’ to launch yourself into a self-made career: freelancing is not exactly unheard of; so the book is not ground-breaking, but rather going with a trend of the times. Despite the frequent mention of the ‘beige army’, all those who prefer steady jobs in offices and allegedly look with distrust and condescension on the free-rangers.
I can name several people who make a living by combining various lines of activity, the so-called ‘portfolio career’. One member of my storytellers’ group is a psychotherapist and well-known painter, apart from being a storyteller. Our Heather, of course, is a teacher, podcaster, editor, designer – have I left something out? And my own ambitions go towards this kind of combining several interests, in my case knitting, designing, writing, and translating.
So, all in all: being a free range human appeals to me, and I did sign up for the weekly newsletter – sorry, love letter – though I did not jump at the chance for a discount on the 21-day course (ONLY £127!).

I decided at some point to go through the remaining parts of The Vampire Archives instead of breaking up the listening with other audio books; that kind of stories seemed to go well with the devious count Fosco and his socks – and both were finished at the same time. Literally: I was knitting the toe of the second sock while listening to the final story in the collection.

So now I am onto something completely different: Birdsong by Sebastian Faulks; this takes place, so far, in France in 1910 and 1916. I wasn’t terribly impressed by the first part, in which a young Englishman, Stephen, spends a few months in the home of a French cloth manufacturer while learning about the industry. Completely unsurprisingly, he embarks on a passionate affair with the director’s young wife – don’t worry, I won’t tell you how that plays out, that wouldn’t be fair. There are a number of quite detailed sex scenes, too much for my taste; though one could argue, I suppose, that the sexual awakening of the ill-treated wife is an intrinsic plot point.
Part two starts in the trenches and tunnels of the battlefields under near-constant shelling, with another lead character, Jack. And then Stephen shows up again; so we can start wondering what has happened to him between 1911, when we left him, till now.

Another story of war, or one, in any case, in which war plays a part, is Savage City by Sophia McDougall; I mentioned this book last week, as well. So I’m not telling you any more: go read for yourself. No, really, do.

And with that, I will leave you for now, pack my bags and go off to the big city (heh).
Keep happy, keep healthy, keep crafting!